I love sculptural containers such as amphora, urns and even
boxes. I’m especially fond of the mixed media boxes of Joseph Cornell and Greek
amphorae. The ancient Egyptians also made a fascinating assortment of
containers for things such as unguents and ointments. In my series about shields and modes of
shielding I created this drawing with Prismacolor pencils on colored pastel
paper with the idea of containment and safety in mind. The shapes are contained
and shielded from a menacing spear. I
wanted to have an overriding sense of transparency on the frontal plane and
more of a notion of opacity on the secondary plane. Delicacy plays its role
here as well and so does the sense of movement.
The rounded shapes are quite fragile and are reminiscent of balloons.
They are juxtaposed against the angular spear shape that twists and moves
through the composition. The balloon shapes are being shielded yet they are
still threatened by the presence of the arrow-like spear. Several years before I
did this drawing I had my first interaction with shielding and spears. Prior to that I had only thought of spears as
powerful objects that existed primarily in a museum. When I stayed on Elcho Island or Galiwin’ku
as it is known locally, in Arnhemland, Northern Territory, Australia the Yolngu
people where still hunting and defending themselves with spears. They were also used as weapons. It was a transformative moment in my life
when I witnessed spears being used in the present day, in an attempt to attack
a friend and my husband. The spear
yielding man was drunk and angered beyond belief. He had lost all sense of self-control and all
of his anger was being aimed along with the spear at the dwelling that my
husband and his friend were inside of. They were captive for what seemed like
hours but they were never harmed. I was
originally drawn to the island by stories of how people in the community still hunted
and fished with spears. Never did I
imagine that an angered individual would take up his spear against a loved
one. Gradually, the community elders
were able to mitigate the situation and it slowly dissipated. I had learned an
unimaginable lesson—spears aren’t just objects in a museum; they are still currently
being used by many different cultures.
They are beautiful, powerful, and potent and yes, they can still be very
scary!
While teaching painting and drawing at the School of the Art Institute, I was always drawn to the Codex Borgia . Sadly, seldom did I actually find ways of incorporating that gorgeous, ancient, illustrated manuscript into my lesson plans. I would just go through the book of images and savor them on my own. Now I understand why it was calling out to me. It is the tool of healers, diviners and scribes--it contains prophesies. It is going to take a while, still, but some day I will understand the lessons it seeks to teach me. Now in "Mama Nature's Spiritual Guide to Weight-loss" as I write, I am finding my book is being fleshed out by Aztec and Mayan deities. They just showed up and wanted in. I find myself questioning their appearance and loving it all at the same time. Pictured above is Aztec Goddess, Xochiquetzal, pronounced Sho-chi-ket-sal. Her name is in the language Nahuatl. The first part Xochitl (flower or to flower) and the second Quetzal (bird of splendid fe...

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