I felt pretty good about my studio endeavors recently. Bumbling along, working intuitively had been
paying off. My work ethic has been good
and I’m putting in about 25 hours per week on my art. Then yesterday, I had this seemingly brilliant
idea to go to Michaels and buy some new stamps.
The rubber stamps weren’t marked down like I thought they would be so I
was on to other things. I checked out
clear stamps and acrylic blocks but that was pricier than my budget. Then I gravitated over to stamping
embellishments and found some walnut ink sprays. I have worked a lot previously with walnut
ink in the manner of watercolor with my mixed media work and thought the sprays
would be convenient for ATCs. I did buy
an almost filigreed design of a tree that is quite delicate. I thought I followed the directions the way
they were presented. I stamped with the
special quick dry ink called Versa, and then sprayed on the walnut ink. I was left with a tar-like color and the stamp
ink never resisted the water-based ink so the image was lost. Not one to give up easily I did three more,
all to no avail. I was left with a brownish
inky mess on my little ATCs that had started out as wonderful collages. Now,
I’m wondering what the lessons in yesterday’s foibles are. I’ve tried googling the walnut ink sprays but
haven’t found any additional directions to what I already have. I feel a little hesitant to return to the
studio to face yesterday’s mess. I’ve
already thrown away the four ATCs and created one new one that roughly does
what I wanted, sans walnut ink. I enjoy
my intuitive style and fast pace of working but I am still mystified by what I
did wrong with the inks. Maybe today I’ll try a hardier style of stamp that
isn’t filigree-styled or return to my mandala paintings. When all else fails, experimentation is a
great option. This art card, which I call, “In the Pink,” uses some
experimentation. I have been playing
around with overlaid transparencies for a while and this is one of my first times
of using that media with collage. I also
used die-cuts, shaped scissors and stamping. In addition, I tried glue dots for
the first time.
Gran Bwa is a lwa that helps you connect to ancestral roots or the spiritual home of Vodou. A friend of mine, who is an expert on Haitian Vodou, who has spent a lot of time in Haiti with the artists there, told me I had painted Gran Bwa when I made this spontaneous work out of walnut ink and sumi-ink on handmade paper. I had considered this painting a self-portrait. She now holds this piece in her private collection: Quite a few people are afraid of Vodou but it is an awe-inspiring tradition of bringing together plant energy with divinity, spiritual and personal energy. My friend who is very involved with Vodou, especially the art that surrounds it, is from European ancestry. She is light in spirit and bubbly, with a close relationship to nature and her garden. Vodou affirms the relationships between cycles of life, trees of knowledge and spirit. The Vodou vision of lwa , understands them as the intelligence of energy present in humans, nature and thoughts. ...
This is my first visit from over at CED and I have spent way too much time checking out your blog and all your lovely lovely work... no help on any sort of stamping questions sadly, but looking forward to following your work....xx
ReplyDeleteTracey:
ReplyDeleteThanks so much for stopping over from CED! I appreciate the compliment--love that year-long project. Also, I seem to have figured out the resist/walnut ink issue today in the studio--yeeeeaaaahhhh!