I felt pretty good about my studio endeavors recently. Bumbling along, working intuitively had been
paying off. My work ethic has been good
and I’m putting in about 25 hours per week on my art. Then yesterday, I had this seemingly brilliant
idea to go to Michaels and buy some new stamps.
The rubber stamps weren’t marked down like I thought they would be so I
was on to other things. I checked out
clear stamps and acrylic blocks but that was pricier than my budget. Then I gravitated over to stamping
embellishments and found some walnut ink sprays. I have worked a lot previously with walnut
ink in the manner of watercolor with my mixed media work and thought the sprays
would be convenient for ATCs. I did buy
an almost filigreed design of a tree that is quite delicate. I thought I followed the directions the way
they were presented. I stamped with the
special quick dry ink called Versa, and then sprayed on the walnut ink. I was left with a tar-like color and the stamp
ink never resisted the water-based ink so the image was lost. Not one to give up easily I did three more,
all to no avail. I was left with a brownish
inky mess on my little ATCs that had started out as wonderful collages. Now,
I’m wondering what the lessons in yesterday’s foibles are. I’ve tried googling the walnut ink sprays but
haven’t found any additional directions to what I already have. I feel a little hesitant to return to the
studio to face yesterday’s mess. I’ve
already thrown away the four ATCs and created one new one that roughly does
what I wanted, sans walnut ink. I enjoy
my intuitive style and fast pace of working but I am still mystified by what I
did wrong with the inks. Maybe today I’ll try a hardier style of stamp that
isn’t filigree-styled or return to my mandala paintings. When all else fails, experimentation is a
great option. This art card, which I call, “In the Pink,” uses some
experimentation. I have been playing
around with overlaid transparencies for a while and this is one of my first times
of using that media with collage. I also
used die-cuts, shaped scissors and stamping. In addition, I tried glue dots for
the first time.
Tree Whispers Shinrin-yoku is a complementary medicine modality, designed to up-lift sub-par health conditions, through lifestyle changes that involve immersion in nature, specifically the wildness, we call a forest, where the senses, including our intuitive sense and ability to heal ourselves through it, is ignited. Forest bathing, as Shinrin-yoku is popularly called, has come to our attention, at a time when the scientific community is abuzz about the ability of trees - be it in stands, groves, or forests, to build community. This, at a time, when we as humans, struggle hard to build and sustain healthy in-person communities, in the face of Online communications. Books like “The Hidden Life of Trees: What they Feel, How they Communicate Discoveries from a Secret World,” (Wohlleben 2016) by Peter Wohlleben is a Wall Street Journal, New York Times and Washington Post bestseller. It makes readers privy to trees’ communication skills and social networks, that is, it helps us entertain...
This is my first visit from over at CED and I have spent way too much time checking out your blog and all your lovely lovely work... no help on any sort of stamping questions sadly, but looking forward to following your work....xx
ReplyDeleteTracey:
ReplyDeleteThanks so much for stopping over from CED! I appreciate the compliment--love that year-long project. Also, I seem to have figured out the resist/walnut ink issue today in the studio--yeeeeaaaahhhh!