Skip to main content

Dealing with Rejection


This morning I woke up with rejection on my mind.  As an artist and writer this is one of the most difficult things to deal with yet it is inevitable.  Why is it inevitable?  Well, if you are putting yourself out there, to multiple markets, groups, curators, publishers, whatever, you are bound to bump up with those who do not “get” your work.  For short periods of time, sometimes admittedly longer, I find rejection debilitating.  This happens when I lose objectivity.   This morning, for some reason or another, rejections I have encountered over the last couple of weeks ballooned in my mind and made me feel empty and hopeless. Then as I was driving to get gas I started to deconstruct those negative feelings.  Being rejected is not a reflection on a person it is a reflection of various people.  The thoughts of others about your creativity, is only that, thoughts and thoughts are not facts.  I ran into that particular quote for the first time on Twitter and it really resonates, especially on a day that began gray like today.  At first a rejection letter can feel like a cold slap in the face but it can also be provocative.  Rejections can be flipped away from you and your creativity and can be a statement by the person or people who have not accepted your work.  You can begin to wonder…what is their taste, their stance, their take, their need or motivation? You can reflect back on the work you selected for a particular outlet or group.  Did it really fit? Was it the best choice for that particular venue? Was it your best effort?  If you know you did your best and feel confident in your statement there is only one thing to do—more work.  Either work on submitting to more places or go back to the drawing board and strengthen your statement.  My book, “A Healing Grove” was rejected several times before it became a published book.  It continued to transform, grow and develop through its critiques and eventually it found a home with the right publisher, and it was a big step for me to go with another publisher.  My book, “Sticks, Stones, Roots and Bones,” also originally had a different title and direction.  The older rendition was also rejected by several publishers of varying sizes.  I never lost faith in that book and eventually it found the right home.  I refused to give up because I had a strong vision.  As I work to re-launch my art career, I am again encountering rejections of various types.  Rather than letting it get me down, I am going to my artistic inspirations and back to the studio, even though the studio is in a state of renovation.   I am going to start drafting and compiling ideas that expand on those that have been rejected. I believe strongly in my vision and also in the idea, if at first you don’t succeed… I will keep trying and trying and trying until I met my goals and my work is situated how and where I want it to be.

Comments

Popular posts from this blog

Gran Bwa

Gran Bwa is a lwa that helps you connect to ancestral roots or the spiritual home of Vodou. A friend of mine, who is an expert on Haitian Vodou, who has spent a lot of time in Haiti with the artists there, told me I had painted Gran Bwa when I made this spontaneous work out of walnut ink and sumi-ink on handmade paper. I had considered this painting a self-portrait. She now holds this piece in her private collection: Quite a few people are afraid of Vodou but it is an awe-inspiring tradition of bringing together plant energy with divinity, spiritual and personal energy. My friend who is very involved with Vodou, especially the art that surrounds it, is from European ancestry. She is light in spirit and bubbly, with a close relationship to nature and her garden.  Vodou affirms the relationships between cycles of life, trees of knowledge and spirit.  The Vodou vision of lwa , understands them as the intelligence of energy present in humans, nature and thoughts.  ...

Tree Whispers

Tree Whispers Shinrin-yoku is a complementary medicine modality, designed to up-lift sub-par health conditions, through lifestyle changes that involve immersion in nature, specifically the wildness, we call a forest, where the senses, including our intuitive sense and ability to heal ourselves through it, is ignited. Forest bathing, as Shinrin-yoku is popularly called, has come to our attention, at a time when the scientific community is abuzz about the ability of trees - be it in stands, groves, or forests, to build community. This, at a time, when we as humans, struggle hard to build and sustain healthy in-person communities, in the face of Online communications. Books like “The Hidden Life of Trees: What they Feel, How they Communicate Discoveries from a Secret World,” (Wohlleben 2016) by Peter Wohlleben is a Wall Street Journal, New York Times and Washington Post bestseller. It makes readers privy to trees’ communication skills and social networks, that is, it helps us entertain...

Art of Motherland Herbal

 Motherland Herbal is my latest book, set to be released June 11th by HarperOne, an imprint of HarperCollins. It is a cross-genre work, primarily an herbal guide, with elements of memoir, and creative nonfiction. It encompasses my passion for folklore and mythology, from the African diaspora. I’m back here to begin a series of posts built around the art within its pages. Today, I share my inspiration for the book cover art. One of my favorite houseplants is our Money Tree. Rich in lore, intimately connected to abundance, prosperity and luck, I adore this plant. It is plentiful, in its growth habit, beautiful in its variety of green leaves and becomes luminous in the morning, when it catches light, hence the yellow-orange negative space around the leaves on the cover.  I enjoy the playful way the art director at Harper, inserted the text, showing the title, subtitle and my name. The cover was a wonderful collaborative effort. It is designed to be inviting, informative and lumin...